Gbolahan Balogun - -
Ilorin witnessed a spectacular convergence of talent and creativity last weekend as fine art professionals gathered for the grand opening of the ‘Made in Ilorin Art Exhibition’.
For lovers of art and culture, the exhibition came down as one that amplified Ilorin’s artistic voice, paving the way for a vibrant and enduring legacy.
Held at the MindSpace Centre, beside the CBN quarters, the month-long exhibition is the first of its kind, showcasing over 50 remarkable artworks by 12 accomplished artists.
This event marks a bold statement of Ilorin’s emergence as a hub of artistic excellence in Nigeria.
A Star-Studded Launch
The event drew notable personalities, including Dr. Usman Oladipo Akanbi, National President of the Association of Nigerian Authors (ANA), who graced the opening ceremony with a stirring endorsement.
Though a writer by profession, Akanbi’s deep appreciation for fine arts was evident as he lauded the exhibition’s significance.
“Creative arts transcend all forms—writing, visual arts, and cultural expressions,” he said. “This is the first time I’ve seen such a collective effort in Ilorin, a city known for its conservatism. It’s a groundbreaking step for our art scene.” He urged government and stakeholders to recognize and support local talents before they seek validation from outside Nigeria.
An Ode to Ilorin’s Creativity
Organised by Adewemimo Oloyede, Creative Director of MindSpace Centre, the exhibition aims to spotlight Ilorin’s underappreciated talent and rewrite the city’s art narrative.
“Kwara is a depository of talent, and Ilorin-based artists are stepping forward to show the world what we can offer,” Oloyede remarked. “This exhibition is more than a showcase; it’s a declaration that Kwara is a center of excellence.”
The five-room gallery featured an array of stunning works, including ‘Survivals’ by Kayode Olanrewaju, a powerful triptych highlighting resilience, and ‘The Beauty Within’ by Taofeek Alabere, a vibrant portrait of a Fulani woman. Shuaib Ajadi’s massive durbar painting and Yusuf Abiodun’s ‘Amokoko’ (The Pot Maker) further captivated art enthusiasts.
Community and Cultural Impact
The exhibition is designed as an inclusive experience, engaging diverse audiences across Ilorin. Special focus days for schools, social clubs, and corporate organizations aim to foster dialogue, inspire creativity, and generate pride in Ilorin’s cultural heritage.
Ceramic artist Babatunde Oyinloye emphasised the broader implications of the event. “This exhibition provides a platform for Ilorin artists to speak with one voice and assert their place in Nigeria’s art space,” he said. “It’s a convergence point for dialogue, collaboration, and development.”
Saheed Ajadi, another participant, echoed these sentiments, highlighting the economic and social benefits the exhibition brings to Kwara. “The event showcases the originality of our art and calls for the active involvement of government and stakeholders in promoting the industry,” he noted.
A Vision for the Future
Oloyede expressed hopes of making the ‘Made in Ilorin Art Exhibition’ an annual tradition, setting a sustainable platform for artistic growth and recognition.
"By fostering connections between artists, collectors, and industry stakeholders, the exhibition aims to catalyse a creative economy in Kwara State.
“This is more than an art show; it’s a movement to ensure Ilorin gets the recognition it deserves,” he declared.
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